Richard Mitchell
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Richard Mitchell

milkywaygallery.com

    

I began painting in February 1993, by reading the instructions on a set of paints that I had been given for Christmas. It described how to paint some vases and bowls on a shelf. This sounded a bit mundane so instead I painted a beach from a photograph I had taken a few years previously, one of those rare and extraordinarily lucky photographs where the evening sunlight is low and orange and almost incandescent in the way it turns everything it touches to molten metal. My family and friends were making their way back, parents festooned with tired children, over the water-striped sands revealed by the outgoing tide.

  

 

     

Even with that first picture, painted on paper, I was utterly hooked.  Painting was a new thing!  My control of the paint was awkward but it could be coaxed into doing the right thing.  For twenty years I had been taking photographs, and now here was something new to do with a photograph.  I could take pictures with a new vision - what would this look like if it were painted? I quickly began to discover that the art world, far from being something that "other people did", was something that I could learn about and find enormously exhilarating. I began to read books voraciously to learn technique, painting and drawing continuously to train the hand to move and the eye to see.  I visited art galleries wherever I went, and I was fortunate enough to see many original works.

Learning to paint is a great project, but it should never be finished. Artists are always only on the edge of all that there is to know. First stretch a canvas, then mix any colour, then learn which colours advance or recede, then select the right brush, then learn the paint media, then learn about texture and brush strokes and impasto, then learn the drying times of different paints.  At the top of this hill a new vista opens.  Learn about light and dark, about emphasis, the tones of human flesh, the anatomy of muscle and bone, the painting of hair, the mist which seeps from the sky and blurs the distant horizon.  Through that mist another panorama awaits.  Learn from the Masters: the layered glazes of Titian; the brushwork of Van Gogh; the skies of Turner; the hair of Millais; the smouldering sex of Lenkiewicz; the chiaroscuro of Rembrandt; the patterns of Klimt.  All the grand masters through the ages, before whose pictures we stand in awe. If this is Gormenghast then I am standing in the Hall of Bright Carvings. If this is the African continent then I am perched on a rock. If this is the Galaxy then I am a citizen of Earth.

 

What else do I do when not painting or philosophising?!   I must admit I am interested in philosophy.  I also play the piano, though rather badly. I have a lovely wife named Vivien. I have four children named Hattie, Flora, Leo and Zak, and two step-children named Cate and Alex. I have a degree in electronics and sometimes I write poems.

 

 

Racing at Sunrise

Air kissing at Cliveden

Low Tide

Ballet Points

   For more of Richard`s work check out his website:-       Milkywaygallery.com


 

   
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